![]() ![]() Ironically, the first new film released in Soviet Russia did not exactly fit this mold: this was Father Sergius, a religious film completed during the last weeks of the Russian Empire but not yet exhibited. As this amounted mostly to cinema houses, the first Soviet films consisted of recycled films of the Russian Empire and its imports, to the extent that these were not determined to be offensive to the new Soviet ideology. Thus, they initially opted for project approval and censorship guidelines while leaving what remained of the industry in private hands. Furthermore, the new government did not have the funds to spare for an extensive reworking of the system of filmmaking. Additionally, many of the performers, producers, directors and other artists of pre-Soviet Russia had fled the country or were moving ahead of Red Army forces as they pushed further and further south into what remained of the Russian Empire. The majority of cinemas had been in the corridor between Moscow and Saint Petersburg, and most were out of commission. However, between World War I and the Russian Revolution, the Russian film industry and the infrastructure needed to support it (e.g., electrical power) had deteriorated to the point of unworkability. Joseph Stalin later also regarded cinema as of the prime importance. As a consequence Lenin issued the "Directives on the Film Business" on January 17, 1922, which instructed the People's Commissariat for Education to systemise the film business, registering and numbering all films shown in the Russian Soviet Federative Socialist Republic, extracting rent from all privately owned cinemas and subject them to censorship. Vladimir Lenin viewed film as the most important medium for educating the masses in the ways, means and successes of communism. From the outset, the leaders of this new state held that film would be the most ideal propaganda tool for the Soviet Union because of its widespread popularity among the established citizenry of the new land. Upon the establishment of the Russian Soviet Federative Socialist Republic (RSFSR) on Novem(although the Union of Soviet Socialist Republics did not officially come into existence until December 30, 1922), what had formerly been the Russian Empire began quickly to come under the domination of a Soviet reorganization of all its institutions. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic, were Armenia, Azerbaijan, Georgia, Ukraine, and, to a lesser degree, Lithuania, Belarus and Moldavia. The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. JSTOR ( April 2018) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "Cinema of the Soviet Union" – news ![]() Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification. ![]()
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